| Track |
Track weight |
Placement |
Time |
Raw score |
Score |
| Ruin |
507 |
1,714 |
2:21.03 |
0 |
0 |
| [Trial]Shallow |
501 |
337 |
1:12.80 |
0 |
0 |
| DAC#4: RECOIL |
457 |
2,007 |
5:56.87 |
0 |
0 |
| Marvel |
454 |
416 |
2:05.35 |
0 |
0 |
| Duality |
447 |
508 |
4:39.94 |
0 |
0 |
| [STE2] Sugar Rush |
444 |
118 |
1:49.10 |
0 |
0 |
| Red |
441 |
1,138 |
3:02.83 |
0 |
0 |
| Metropolis |
436 |
2,559 |
2:43.18 |
0 |
0 |
| B113 |
428 |
899 |
1:30.15 |
0 |
0 |
| Vibrant Dreams |
420 |
1,302 |
1:41.79 |
0 |
0 |
| White |
413 |
1,612 |
4:27.00 |
0 |
0 |
| Pathogen |
411 |
1,068 |
4:51.71 |
0 |
0 |
| Shrine |
407 |
470 |
2:43.11 |
0 |
0 |
| Digital |
405 |
1,001 |
2:52.95 |
0 |
0 |
| Modulation |
403 |
1,252 |
2:13.54 |
0 |
0 |
| Division |
401 |
442 |
2:32.17 |
0 |
0 |
| Pink |
400 |
2,653 |
3:04.54 |
0 |
0 |
| Cubic |
399 |
469 |
3:22.05 |
0 |
0 |
| Event Horizon |
399 |
374 |
4:12.65 |
0 |
0 |
| Elemental |
397 |
1,587 |
3:36.86 |
0 |
0 |
| WB test1 - 50.26 second theory |
397 |
38 |
51.22 |
392 |
156 |
| DAC #1: Decade |
395 |
1,478 |
3:36.32 |
0 |
0 |
| Dimension Shift |
391 |
597 |
2:38.97 |
0 |
0 |
| HyperCube |
388 |
2,089 |
4:32.27 |
0 |
0 |
| Sector 400 |
386 |
851 |
1:44.67 |
0 |
0 |
| Frozen in time |
377 |
509 |
2:43.92 |
0 |
0 |
| DAC 1: Green Hill Zone |
374 |
2,138 |
2:14.04 |
0 |
0 |
| Dataline |
373 |
719 |
4:21.22 |
0 |
0 |
| Paradise Lost |
368 |
741 |
1:43.31 |
0 |
0 |
| The Fall |
366 |
727 |
2:52.90 |
0 |
0 |
| Graviton Disturbance |
366 |
1,119 |
2:38.85 |
0 |
0 |
| Island Hopping |
364 |
1,387 |
2:02.66 |
0 |
0 |
| Violet |
361 |
905 |
2:46.76 |
0 |
0 |
| Le Teleputo |
357 |
499 |
3:21.54 |
0 |
0 |
| Union |
356 |
480 |
1:36.01 |
0 |
0 |
| Midnight City |
351 |
1,467 |
2:52.35 |
0 |
0 |
| Blue |
349 |
418 |
1:53.63 |
0 |
0 |
| Industrial Alliance |
341 |
1,507 |
5:39.14 |
0 |
0 |
| NightLife |
340 |
1,066 |
2:06.07 |
0 |
0 |
| 50 Second Theory |
337 |
1,188 |
1:19.76 |
0 |
0 |
| Firefly |
336 |
711 |
3:51.42 |
0 |
0 |
| Colliding Worlds |
334 |
480 |
3:13.36 |
0 |
0 |
| Orange |
329 |
1,802 |
1:45.35 |
0 |
0 |
| Instability |
328 |
316 |
1:49.31 |
0 |
0 |
| Spectral Fragments |
325 |
387 |
3:47.15 |
0 |
0 |
| California Cruise |
324 |
523 |
2:29.27 |
0 |
0 |
| Nitronic Rush : Enter The Matrix |
322 |
720 |
2:15.60 |
0 |
0 |
| Neon Drive |
322 |
573 |
3:07.42 |
0 |
0 |
| DAC #20: My Dear December |
316 |
1,003 |
1:33.13 |
0 |
0 |
| City of Rapture |
314 |
478 |
2:05.55 |
0 |
0 |
| DAC #23: Rainbow Road |
313 |
763 |
3:25.12 |
0 |
0 |
| A City Sleeps (update 1) |
310 |
150 |
3:23.74 |
0 |
0 |
| Road to Underworld v1.0 |
307 |
754 |
3:04.40 |
0 |
0 |
| DAC #16: [Hybrid]Hairux |
300 |
344 |
4:36.69 |
0 |
0 |
| Hell |
296 |
78 |
2:09.32 |
123 |
36 |
| Acknowledge |
294 |
889 |
2:55.53 |
0 |
0 |
| Gotham 1992 |
291 |
143 |
2:07.36 |
0 |
0 |
| DAC #7: Dark City |
288 |
485 |
3:00.76 |
0 |
0 |
| Broken Symmetry but it's really dark |
285 |
86 |
1:31.54 |
79 |
22 |
| Get In The Hole |
284 |
174 |
40:58.16 |
0 |
0 |
| Interstellar Sprint |
283 |
289 |
3:09.46 |
0 |
0 |
| Segments |
283 |
498 |
5:13.76 |
0 |
0 |
| A Green Day |
282 |
105 |
1:31.36 |
0 |
0 |
| Abandoned Nightmare |
279 |
560 |
2:10.71 |
0 |
0 |
| Awakening the Crystals |
276 |
294 |
4:37.01 |
0 |
0 |
| Into green city |
272 |
175 |
2:39.48 |
0 |
0 |
| Cityrun |
271 |
389 |
2:33.23 |
0 |
0 |
| Oxy |
264 |
593 |
2:20.35 |
0 |
0 |
| Convolution |
261 |
1,412 |
3:17.52 |
0 |
0 |
| Tooty |
258 |
609 |
1:55.58 |
0 |
0 |
| DAC #13: The Source |
250 |
559 |
2:56.09 |
0 |
0 |
| A Fun Ride |
250 |
37 |
6:34.89 |
400 |
100 |
| Green Hill Zone Act 2 |
249 |
2,680 |
2:59.48 |
0 |
0 |
| A.R.L.T.R. Tres |
245 |
34 |
2:26.95 |
426 |
104 |
| Psychedelic Blitz |
235 |
620 |
2:44.28 |
0 |
0 |
| pop |
223 |
261 |
2:58.04 |
0 |
0 |
| A Long Way Down |
201 |
123 |
1:49.18 |
0 |
0 |
| A Digital Frontier |
184 |
106 |
2:57.00 |
0 |
0 |
| DAC #12: The Arrival (Remake) |
168 |
267 |
2:45.71 |
0 |
0 |
| A.R.T.003 |
167 |
13 |
2:28.53 |
654 |
109 |
| DAC#18 Twin Peak Pass |
152 |
351 |
2:50.41 |
0 |
0 |
| Cosmic Realm |
141 |
2,028 |
8:58.12 |
0 |
0 |
HoldGrip
Steam profile